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#1
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Here are some pics of an SR Johnson integral big bear in progress.
After I have cut the outline, after that, I raise teeth inside: ![]() ![]()
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Barry Lee Hands www.barryleehands.com "Critics gather, they discuss aesthetics, Artists gather, they discuss turpentine. . ."- Pablo Picasso |
#2
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Hey Barry,
The knife appears to be assembled, are you creating your overlay on hardened steel? Bob
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“Art is never finished, only abandoned.”
― Leonardo da Vinci |
#3
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The knife is integral and still soft.
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Barry Lee Hands www.barryleehands.com "Critics gather, they discuss aesthetics, Artists gather, they discuss turpentine. . ."- Pablo Picasso |
#4
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1.
Teeth raised 2. and 3. Applying the gold 4. More gold ![]() ![]() ![]() ![]()
__________________
Barry Lee Hands www.barryleehands.com "Critics gather, they discuss aesthetics, Artists gather, they discuss turpentine. . ."- Pablo Picasso |
#5
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That is really cool.
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#6
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That is so awesome, keep them coming!
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#7
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Wow Barry. Always completely amazing. Just when you think its doesn't get better they keep coming.
Regarding the question above, you mentioned the knife is soft. I was just pondering this the other day. Would you cut then harden then inlay? Gold melts at around 1000 but most heat treatment is above that not to mention expansion contraction problems. Ive never attempted an inlaid blade so i've never had to worry. Just figured I would ask.? |
#8
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The knife was soft when i cut the steel, then it was hardened and now i am putting the gold on.
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Barry Lee Hands www.barryleehands.com "Critics gather, they discuss aesthetics, Artists gather, they discuss turpentine. . ."- Pablo Picasso |
#9
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Thanks for sharing the pictures of the process with us. It would appear you do not uncut the edges as you would if doing flush gold work? Might I also ask how you make the leaf profile for setting?
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#10
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That layout is Gorgeous! I'm getting a little bit out of this, thank you for posting!
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#11
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Barry Lee Hands www.barryleehands.com "Critics gather, they discuss aesthetics, Artists gather, they discuss turpentine. . ."- Pablo Picasso |
#12
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#13
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Thanks for sharing your techniques. Truly beautiful and generous!
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#14
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Thank you Bert and Azkue!
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Barry Lee Hands www.barryleehands.com "Critics gather, they discuss aesthetics, Artists gather, they discuss turpentine. . ."- Pablo Picasso |
#15
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Here are all the pics start to finish:
![]() ![]() ![]() ![]() ![]() ![]() Trimming the edge with a glensteel singlepoint 90. . . ![]() Here are two pics demonstrating the use of a round bottom chisel to sculpt the leaf. ![]() ![]() ![]() Using a small round bottom tool to trim the edges: ![]() After the edges are detailed with the small round botton, i shade with a 55 face 90 singlepoint: ![]() Here is a pic after shading is completed: ![]() Setting a 1.5 mm diamond: ![]() diamond installed: ![]()
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Barry Lee Hands www.barryleehands.com "Critics gather, they discuss aesthetics, Artists gather, they discuss turpentine. . ."- Pablo Picasso |
#16
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Hello Barry Lee
Thank you for the picture tutorial once more,It is always inspiring and informative. Most Appreciated SE ![]()
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Learn from those who know more than you do and teach those who know less than you do. - I.M. |
#17
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Barry, incredible job as always, thanks for sharing
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www.hobonickelsvillarrubia.com |
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